“I don’t know how you could possibly write music!”
It’s a refrain I hear often, even from talented musicians. And I can understand why they say that.
Writing music might seem like organizing thousands of isolated pitches and rhythms. For example, my latest arrangement included 2320 notes, 1273 rhythms, and 281 rests.
That’s daunting. But there is another way, and Pachebel’s Canon and its friends reveal the centuries-old secret.
This week a friend asked me to write an arrangement of “O Savior, Thou Who Wearest a Crown” for vocal duet with piano accompaniment. Dealing with Bach can be a little daunting, so I decided to look at the where the music came from for the LDS version of that hymn. Read more
Why do altos and tenors often get saddled with parts like this?
Don’t composers know that singing the same two notes over and over again is boring?
To understand what composers are possibly thinking, let’s dive into some music theory . . .