Harmony in “Father in Heaven, We Do Believe,” Part 2
In my last blog post, I identified the gestures that compose the Latter-Day Saint hymn “Father in Heaven, We Do Believe.” Today I’ll show how these gestures are elaborated and how all these elements work in concert to make the arrival on “we receive” so striking.
Harmony in “Father in Heaven, We Do Believe,” Part 1
I recently explained how Classical musicians understood harmony in terms of characteristic gestures. For my first demonstration of this gestural approach to harmony, I present the Latter-Day Saint hymn “Father in Heaven, We Do Believe.”
Learning Harmony as Gestures
Lately I’ve been studying how the Italian and French masters taught harmony and counterpoint. It’s fascinating. They didn’t analyze chords or study Byzantine diagrams. They learned to perform complete textures from a single musical line.
James Horner on Film Music
I was sad to hear that James Horner died this week in an aviation accident. His music has been an inspiration to me. I was browsing YouTube listening to his old scores when I found this interview he gave a few years back. Several parts of it stood out to me.